noun, plural im·per·son·al·i·ties for 6. absence of human character or of the traits associated with the human character: He feared the impersonality of a mechanized world. absence or reduction of concern for individual needs or desires: the impersonality of a very large institution.

adjective. not personal; without reference or connection to a particular person: an impersonal remark. having no personality; devoid of human character or traits: an impersonal deity.

The definition of impersonal is not being personal and is someone or something that doesn’t have a connection to any person or does not show emotions. A cold room devoid of personality or human touch is an example of a room that would be described as impersonal.

Theory of impersonality refers to the concept of impersonal relationship between a man as a poet and as a general man. Eliot, a poet should have two distinct personalities and he as a poet should uphold no any relation with that of his personal self while composing his poetry.

Always expressing his opinions with severity, Leavis believed that literature should be closely related to criticism of life and that it is therefore a literary critic’s duty to assess works according to the author’s and society’s moral position. Leavis’ criticism falls into two phases.

Eliot’s theory of poetry marks a complete break from the 19th century tradition. He rejected the romantic theory that all art is basically an expression of the artist’s personality, and that the artist should create according to the dictates of his own “inner voice”, without owing allegiance to any outside authority.

Answer. Answer: Eliot points out that the poet can achieve impersonality and objectivity by finding some ‘objective co-relative’ for his emotions. He defines, objective co-relative as a “set of objects, a situation, a chain of events which shall be the formula”, for some particular emotion of the poet.

The elements of the experience of the poet are of two kinds – emotions and feelings. They are the elements which entering the presence of the poet’s mind and acting as a catalyst, go to the making of a work of art.

Figurative Language

• Figurative Language: The imaginative language that makes a poem rich to a. reader.
• Simile: a direct comparison using ‘like’, ‘than’, or ‘as’
• Metaphor: an implied comparison between two different things.
• Personification:
• Extended Metaphor:

The catalyst facilitates the chemical change, but does not participate in the chemical reaction, and remains unchanged. Eliot compares the mind of the poet to the shred of platinum, which will “digest and transmute the passions which are its material”.

Eliot compares the mind of the poet to a catalyst and the process of poetic creation to the process of a chemical reaction. The poet’s mind is necessary for new combinations of emotions and experiences to take place, but it itself does not undergo any change during the process of poetic combination.

Eliot attempts to do two things in this essay: he first redefines “tradition” by emphasizing the importance of history to writing and understanding poetry, and he then argues that poetry should be essentially “impersonal,” that is separate and distinct from the personality of its writer.

Wordsworth defines a poet as a man of more comprehensive soul. A poet is different from other men, because he/she has a more lively sensibility. And his emotions and passions are more enthusiastic, tenderer and more powerful. He has a greater knowledge of human nature. The poet is a man speaking to men.

A poem is a piece of writing that uses imaginative words to share ideas, emotions or a story with the reader. Many poems have words or phrases that sound good together when they are read aloud. Most poems for children rhyme or they have rhythm (just like music) or repetition. But a poem doesn’t have to rhyme!

Revolution. When reference is made to Romantic verse, the poets who generally spring to mind are William Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), George Gordon, 6th Lord Byron (1788-1824), Percy Bysshe Shelley (1792-1822) and John Keats (1795-1821).

1a : metrical writing : verse. b : the productions of a poet : poems. 2 : writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm.

As with narrative, there are “elements” of poetry that we can focus on to enrich our understanding of a particular poem or group of poems. These elements may include, voice, diction, imagery, figures of speech, symbolism and allegory, syntax, sound, rhythm and meter, and structure.

Explanation: For me, the kind of society is described in the poem is a poor society. Society that it’s people cannot be protected by the government, can’t raise their voices and can’t use their rights. That’s mean, it’s because of the poor management of the government.

Is cannot one word or two words? The answer is one word – most of the time. Cannot and can’t have the same meaning, but can not appears differently in a sentence. Read on to find examples of situations in which cannot or can’t would be acceptable, and when can not might cross your path.

It’s a quick /n/ sound. In British English, we generally pronounce our t sounds more clearly than Americans, especially if we’re speaking carefully. But when we’re speaking casually and informally, we often don’t say them – just like Americans. I can(‘t).

Usually, a nerve or brain disorder has made it difficult to control the tongue, lips, larynx, or vocal cords, which make speech. Dysarthria, which is difficulty pronouncing words, is sometimes confused with aphasia, which is difficulty producing language. People with dysarthria may also have problems swallowing.