What is a difference between the radio and novel versions of The War of the Worlds? A. The radio version uses long, descriptive sentences to provide imagery. The radio version ends with the Martians dying because of human viruses.

The radio version was probably more effective in creating fear of the unknown. Many people believed the show to be narrating a current event. Moreover, Welles’s voice and sound effects contributed to creating a feeling of fear among the listeners.

A. To capture the attention of his listeners, who may have been doing other things. B. To remind listeners to call the police for more information.

What theme does the novel the war of the worlds share with the radio broadcast? A. people shouldn’t believe everything on the radio, because anything could be a lie.

George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, screenwriter and producer who is remembered for his innovative work in radio, theatre and film. He is considered one of the greatest filmmakers of all time.

Oct

Orson Welles never directed a picture that made a profit in his lifetime. He died, alone and broke, in a cottage in the Hollywood hills on 10 October 1985, at which point his affairs and his estate passed into a chaos that he had known and engineered for most of his life.

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Deceased (1915–1985)

Orson Welles’ secret love child Michael Lindsay-Hogg, mostly known for co-directing Brideshead Revisited for Granada television back in 1981, says he is Orson Welles’ secret son, as he bears the striking resemblance to the late actor.

Paola Morim. 1955–1985

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Hollywood, Los Angeles, CA

Orson Welles Talks to H.G. Wells, 1940. (The two are also linked by the similarities in their names: “I’ve had a series of the most delightful experiences since I came to America,” Wells, who was English, says, “but the best thing that has happened so far is meeting my little namesake here, Orson.”)

70 years (1915–1985)

Welles often credited its achievement to his own inexperience and ignorance: He was able to flout cinematic convention and clichés because he didn’t know any better, and he was able to create such remarkable images because he was willing to let his veteran cinematographer Gregg Toland go to town with the camera and the …

It was said Hearst was particularly angry over the movie’s depiction of a character based on his companion, Marion Davies, a former showgirl whom he had helped become a popular Hollywood actress.

Some of the points are made by the people questioned; some are made in what there is of story as it moves over the years from back to front; but the main point is that Citizen Kane wanted love from the world and went to most of his fantastic extremes to get it, yet never had any love of his own to give.

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