Kathputli is a string puppet theatre, native to Rajasthan, India, and is the most popular form of Indian puppetry.

4 Main types:

• String Puppets.
• Shadow Puppets.
• Rod Puppets.
• Glove Puppets.

India as homeland of puppetry,has four types of traditional puppets. Traditional puppets derive their repertoire, costume and music from the folk theatre of the particular region. The presentation of puppet programs involves the creative art of many people working together.

Almost all types of puppets are found in India. Puppetry throughout the ages has held an important place in traditional entertainment. Like traditional theatre, themes for puppet theatre are mostly based on epics and legends. Puppets from different parts of the country have their own identity.

Here are a dozen puppets that helped define our childhoods.

• Howdy Doody. The puppet that put puppets on the map, Howdy Doody set the stage for children’s programming for decades to come.
• Lamb Chop.
• Kukla and Ollie.
• Topo Gigio.
• Kermit the Frog.
• Big Bird.
• Bert and Ernie.
• King Friday XIII and Sara Saturday.

Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production.

Puppets are most often broken down into six major families: marionettes, which are manipulated by strings, and their ancestors, rod marionettes, which are supported by a rod attached to their heads; hand puppets, which are slipped over the hand; rod puppets, which are activated from below with the aid of slender wands; …

Wayang Klitik is flat wooden shadow puppets that are operated from below by rods connected to the hands and a central rod that connects to the body.

Wayang kulit is a traditional form of puppet-shadow play originally found in the cultures of Java, Bali, and Lombok in Indonesia. In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut-oil (or electric) light.

Shadow puppets are figures that are placed between a light and a screen. Moving them creates the illusion of moving images on the screen. An experienced puppeteer can make figures appear to walk, talk, fight and dance.

Play (Wayang Kulit) can be defined as an ancient form of storytelling and enter- tainment using two dimensional flat, often articulated figures in front of an illuminated backdrop to create the illusion of moving images on the screen [ 1]. This theatre form is particularly important and established in Southeast Asian.

The dalang

Answer: 1. KEI PUPPET because it is my own puppet so i name it with my name to know that its mine. 2.

While these carefully handcrafted puppets vary in size, shape and style, two principal types prevail: the three-dimensional wooden puppet (wayang klitik or golèk) and the flat leather shadow puppet (wayang kulit) projected in front of a screen lit from behind.

In traditional Indonesian shadow theatre – wayang kulit the most important person is dalang – one person who narrates, animates and lends voices to all characters appearing during the performance and also acts as playwright, conductor, director or kind of curator taking care of the shape of the whole performance, being …

shadow puppets, wayang kulit. a light source, blencong. female singers and a male chorus, pesindhen and penggerong. a screen frame and screen, gawang and kelir; the main focus of the performance.

The shadow puppet plays, known as wayang kulit are popular not only in Bali but throughout Indonesia. Far more than mere entertainment, the wayang kulit is an extremely important vehicle of culture, serving as carrier of myth, morality play, and form of religious experience rolled into one.

The dhalang or dalang (Javanese: dhalang; Indonesian and Malay: dalang) is the puppeteer in an Indonesian wayang performance. In a performance of wayang kulit, the dalang sits behind a screen (kelir) made of white cotton stretched on a wooden frame.