In short, ‘In a Station of the Metro’ briefly encapsulates the main driving idea behind the Imagist movement. Ezra Pound once defined an image as ‘an intellectual and emotional complex in an instant of time’, and this is exactly what this poem offers. The brevity of life, the brevity of the Imagist poem.

He finally did so in a poem consisting of only 14 words. In the poem, Pound compares the faces of the crowd to petals on a wet, black bough (of a tree). The poem is devoid of any verbs, and even the implied looks like is missing from the transition between objects in the comparison.

Ezra Pound’s poem “In a Station of the Metro” uses metaphor to assist description in the poem that might otherwise be limited by the imagist ideal of “strict verbal economy” (Mikics 152). By using an extended metaphor, Pound is able to give the maximum amount of images to the reader with the minimum number words.

“In a Station of the Metro” Themes

• Perception, Imagination, and Reality. “In a Station of the Metro” is concerned above all with imagery: the speaker sees a bunch of people in a subway station and this prompts the speaker to envision petals on a tree branch.
• Urban Life and the Natural World.

What Are the Characteristics of Imagist Poetry? Imagist poetry is defined by directness, economy of language, avoidance of generalities, and a hierarchy of precise phrasing over adherence to poetic meter.

Imagism was a movement in early 20th century Anglo-American poetry that favored precision of imagery, and clear, sharp language. Though somewhat unusual for the time, the Imagists featured a number of women writers amongst their major figures.

The essay begins with the three principles of imagism, including “Direct treatment of the ‘thing’.” Pound defines “image” as “an intellectual and emotional complex in an instant of time.” He elaborates on the “rules” of imagism, advising precision, and proclaiming, among other things, “Use either no ornament or good …

a theory or practice of a group of English and American poets between 1909 and 1917, especially emphasis upon the use of common speech, new rhythms, unrestricted subject matter, and clear and precise images. — Imagist, n. — Imagistic, adj. -Ologies & -Isms.

Thomas Ernest Hulme

The origins of Imagism are to be found in two poems, Autumn and A City Sunset by T. E. Hulme. These were published in January 1909 by the Poets’ Club in London in a booklet called For Christmas MDCCCCVIII.

Ezra Pound

Imagists, a group of American and British poets, were prominent from 1909-1917. Their poems employing the language of common speech, new rhythms, new subject matter and strong, concrete imagery. Apparently, a topic like this easily takes a whole volume to deal with.

Imagism was a sub-genre of Modernism concerned with creating clear imagery with sharp language. As with all of Modernism, Imagism implicitly rejected Victorian poetry, which tended toward narrative. In this way, Imagist poetry is similar to the Japanese Haiku; they are brief renderings of some sort of poetic scene.

Modernist poetry refers to poetry written, mainly in Europe and North America, between 1890 and 1950 in the tradition of modernist literature, but the dates of the term depend upon a number of factors, including the nation of origin, the particular school in question, and the biases of the critic setting the dates.

In general, many readers of poetry find a sense of movement in the poems they read is imparted by the combined use of rhythm and rhyme. Rhythm refers to the pattern of accented and unaccented syllables frequently used in poetry and most obvious when the poems are read aloud.

Description. Although considered a literary group, members of the Movement saw themselves more as an actual movement, with each writer sharing a common purpose. To these poets, good poetry meant simple, sensuous content and traditional, conventional and dignified form.

It has been described as poetry of the personal or “I”, focusing on extreme moments of individual experience, the psyche, and personal trauma, including previously and occasionally still taboo matters such as mental illness, sexuality, and suicide, often set in relation to broader social themes. …

1 : the act or process of moving and especially changing place or position : an instance of moving the movement of the planets. 2 : a program or series of acts working toward a desired end a reform movement.

In Kingsley Amis. …a group sometimes called “The Movement,” whose poems began appearing in 1956 in the anthology New Lines. Poets belonging to this school wrote understated and disciplined verse that avoided experimentation and grandiose themes. In 1990 Amis was knighted, and his Memoirs were published in 1991.

a clowder of poets (@Aishatonu)

Top 6 Literary Movements

• Romanticism (1800 to 1850).
• Transcendentalism (1820 to 1840).
• Modernism (1870 to 1940).
• Harlem Renaissance (1918 to 1930).
• New York School (1950 to 1970).
• Postmodernism (1960 to 1990).

A group or collection of poems is an anthology.

You probably know that a group of wolves is called a pack, or that a group of puppies is called a litter, but there are many collective nouns for animals that are much less well-known, and frankly very strange.