Mood helps in creating an atmosphere in a literary work by means of setting, theme, diction and tone. It evokes various emotional responses in readers and thus ensures their emotional attachment to the literary piece they read.

Voice is important because your writing should have as much personality as you do. A strong voice helps you make every word count, establishes consistency across your website or body of work, and most importantly helps you grab your readers’ attention and establish a relationship with them.

Each viewpoint allows certain freedoms in narration while limiting or denying others. Your goal in selecting a point of view is not simply finding a way to convey information, but telling it the right way—making the world you create understandable and believable.

Point of view in a text is the position from which the subject matter of a text is designed to be perceived. In defining a point of view the writer, speaker or director of the text controls what we see and how we relate to the situation, characters or ideas in the text.

Point of view refers to who is telling or narrating a story. A story can be told from the first person, second person or third person point of view (POV). The POV of a story is how the writer wants to convey the experience to the reader. …

Point of view (POV) is what the character or narrator telling the story can see (his or her perspective). The narrator should not be confused with the author, who is the writer of the story and whose opinions may not be those written into the narrative.

Rowling wrote all seven Harry Potter books using a third person limited point of view that made Harry the focal point. The narrator can tell us what Harry’s thinking, feeling, and seeing—as well as zoom out to tell us more about the precarious situations he finds himself in.

This point of view allows the author to limit a reader’s perspective and control what information the reader knows. It is used to build interest and heighten suspense. Third-person objective. Third-person objective point of view has a neutral narrator that is not privy to characters’ thoughts or feelings.

Third person limited point of view gives a writer more freedom than first person point of view. Third person limited can make the reader feel closer to a character because only one person’s thoughts and feelings are shared, thus allowing the chance to build a bond between the reader and that character.

Some guidelines: If you want to write the entire story in individual, quirky language, choose first person. If you want your POV character to indulge in lengthy ruminations, choose first person. If you want your reader to feel high identification with your POV character, choose first person or close third.

Third person limited gives your readers access to a character’s inner thoughts and emotions, much the same way that first-person narration does. The difference is that there’s a critical sliver of distance between the protagonist and narrator, which will change the way the main character is portrayed.

THIRD-PERSON LIMITED NARRATION OR LIMITED OMNISCIENCE : Focussing a third-person narration through the eyes of a single character. The narrative is still told in third-person (unlike first-person narration); however, it is clear that it is, nonetheless, being told through the eyes of a single character.

The third-person point of view belongs to the person (or people) being talked about. The third-person pronouns include he, him, his, himself, she, her, hers, herself, it, its, itself, they, them, their, theirs, and themselves. Tiffany used her prize money from the science fair to buy herself a new microscope.

Examples of personal opinion: “I believe…” “I think…” “In my opinion…” “I would say that…” The third person point of view is often used as an alternative to first person as the “voice” in academic writing. The original example presents a personal opinion of climate change with no supporting facts.